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Program 2: Ray Chen Leads

W. A. Mozart: Divertimento in F major, K. 138
Benjamin Britten: Variations on a Theme of Frank Bridge for String Orchestra, op. 10
W. A. Mozart: Violin Concerto No. 3 in G Major
Edward Elgar: Introduction and Allegro for Strings, op. 47


Tickets and Program Notes

Season Subscriptions are now available and can be purchased here.

Single Tickets are available for purchase online at City Box Office or by phone (415) 392-4400.


Concerts

Open Rehearsal

Wednesday, November 9, 2016, 10am, Zellerbach Rehearsal Hall “C”

Berkeley

Thursday, November 10, 2016, 8pm, Berkeley City Club

Palo Alto

Friday, November 11, 2016, 8pm, First United Methodist Church

San Francisco

Saturday, November 12, 2016, 8pm, Herbst Theatre

San Rafael

Sunday, November 13, 2016, 5pm, Osher Marin Jewish Community Center


About the Concert

Winner of the Yehudi Menuhin (2008) and Queen Elisabeth (2009) Competitions, Australian/Taiwanese violinist Ray Chen joins New Century as Guest Concertmaster leading a program of Mozart, Elgar and Britten.


Featured Guest Concertmaster

Winner of the Queen Elisabeth (2009) and Yehudi Menuhin Competitions (2008), Ray Chen is among the most compelling young violinists today. “Ray has proven himself to be a very pure musician with great qualities such as a beautiful youthful tone, vitality and lightness. He has all the skills of a truly musical interpreter,” said the great Maxim Vengerov.

Ray has released three critically acclaimed albums on Sony: a recital program “Virtuoso” of works by Bach, Tartini, Franck, and Wieniawski, and the Mendelssohn and Tchaikovsky concertos with Swedish Radio Orchestra and Daniel Harding.   Following the success of these recordings, Ray was profiled by The Strad and Gramophone magazines as “the one to watch”. “Virtuoso” was distinguished with the prestigious ECHO Klassik award. His third recording, an all-Mozart album with Christoph Eschenbach and the Schleswig-Holstein Festival Orchestra, was released in January 2014.

“It’s hard to say something new with these celebrated works; however, Ray Chen performs them with the kind of authority that puts him in the same category as Maxim Vengerov.” (Corriere della Sera)

Ray continues to win the admiration of fans and fellow musicians worldwide. On Bastille Day in 2015, he joined Daniele Gatti and the Orchestre National de France for a televised concert on the Champs-de-Mars in Paris in front of an audience of over 800,000.

Ray recently completed a five-city tour of China with the Gothenburg Symphony and Kent Nagano as well as a European tour with the London Philharmonic and Christoph Eschenbach.   Other highlights of the past season include his debuts with the Rotterdam Philharmonic, a recital at the Amsterdam Concertgebouw and a second engagement with Gatti and the Orchestre National de France.

In 2012 he became the youngest soloist ever to perform in the televised Nobel Prize Concert for the Nobel Laureates and the Swedish Royal Family.   His Carnegie Hall debut with the Royal Stockholm Philharmonic and Sakari Oramo, as well as his sold-out Musikverein concert with the Gewandhaus Orchestra and Riccardo Chailly were met with standing ovations.

Followed by over 2 million people on SoundCloud, Ray Chen looks to expand the classical music audience by increasing its appeal to the young generation via all available social media platforms.   In particular his series of quirky, self- made online videos has proven an effective tool in broadening the reach of classical music through humor and education.

He is the first ever classical musician to be invited to write a regular blog about his life as a touring soloist for the largest Italian publishing house, RCS Rizzoli (Corriere della Sera, Gazzetta dello Sport, Max).   In his unstinting efforts to break down barriers between classical music, fashion and pop culture, he is supported by Giorgio Armani and was recently featured in Vogue magazine.

Born in Taiwan and raised in Australia, Ray was accepted to the Curtis Institute of Music at age 15, where he studied with Aaron Rosand and was supported by Young Concert Artists.   He plays the 1715 “Joachim” Stradivarius violin on loan from the Nippon Music Foundation.